The Parisian underworld; wistful longing for youth gone by, gorgeously sung with melancholic conviction. Living in poverty and destitution, surrounded constantly by cruel reminders of death, and yet still possessing an unwavering capacity for hope and love.
‘He slept a summer by my side, he filled my days with endless wonder, he took my childhood in his stride, but by autumn he was gone.’
Devotion to dreams that our hearts refuse to allow us to let go of, and the devastation that ensues upon realizing that they will never be. Played in and out to the strings of a graceful harp and rendered in a voice soft and bitter and intensely emotive, the despondent reality of Fantine is laid adjacent to the glittering memory of a fleeting romance.
Compelling and familiar, the heartbreak of unrequited love exposed and the sacrifices still made for those who unknowingly hold us captive. A meandering melody, spanning the streets of a darkened city, granting the imagination freedom to paint a vivid illusion of love desired. An enchanting appreciation for the beauty of the night, liquid silver and sparkling stars, the secrecy permitted to fantasize another life so removed from the garish truths of the daylight. And yet, the despondence of knowing that it is only a dream, that he loves another and will never be hers to possess. The unmatched fidelity is poignantly tragic, and yet the capacity to remain so faithful is enviable, her love truly pure and altruistic.
‘I love him… but only on my own..’
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